Sanford Health

Film Review

Bigger Stronger Faster
Magnolia Home Entertainment
2222 S. Burlington Avenue
Los Angeles, CA 90064
DVD/106 minutes

America is a country that prides itself on the superlative: we are the biggest, strongest, fastest nation in the world. Is it any wonder so many of our heroes are on performance enhancing drugs? Director Chris Bell combines an original mix of pop culture references, a diverse cast from elite athletes to US Congressmen, with an emotional family story to illustrate the image of a “nation on steroids.” When you discover that your heroes have all broken the rules, do you follow the rules or do you follow your heroes?

"Provocative and engaging" ~ People Magazine

"Powerful stuff. A terrific doc – clear-eyed, entertaining, smart and snappy.” ~ NY Daily News






Written by Chris Bell, Alexander Buono and Tamsin Rawady
Directed by Chris Bell
Editor: Brian Singbiel
Executive Producers: Terrace J. Aarnio, Robert Weiser and Richard Schiffrin
Produced by Alexander Buono, Tamsin Rawady and Jim Czarnecki

www.biggerstrongerfastermovie.com

the Collector of Bedford Street
A film by Alice Elliott
New Day Films 2001
37 minutes (approx.)

The Collector of Bedford Street is a short documentary, nominated for an Academy Award that follows Larry Selman, the film maker's 60 year old neighbor. A community activist and fundraiser with developmental disabilities, Larry raises thousands of dollars for charity every year while he lives at the poverty level. Because of Larry's 20 years of service to his neighborhood, the community created a supplemental need adult trust fund for him. This was the first time that a group, rather than an individual's family did this. The film humanizes the story behind the abstract statistics of mental retardation, revealing how a community builds tolerance and understanding.





Questions for discussion:

  1. Did you have preconceived notions of mentally retarded people before you watched this film? How were those stereotypes affected?

  2. Reflect on the concept of “intelligence”. Do you think IQ is a fair measure of Larry’s “intelligence”?

  3. Larry has mixed feelings about the results of his IQ test. Why?

  4. Did any parts of the video make you uncomfortable? Why?

  5. Discuss the concept of community. How is yours like or unlike Larry’s?

  6. How do we balance a person’s right to autonomy versus our need to protect them?


More study guide and facilitation information is available at:

http://thecollectorofbedfordstreet.com

Crash Crash
A Lions Gate Films release
In Association with Bob Yari Productions
And DEJ Productions

DVD/112 minutes

Crash, the Academy Awards best picture in 2005, starring Sandra Bullock, Matt Dillon and don Cheadle is a compelling urban thriller that tracks the volatile intersection of a multiethnic cast of characters struggling to overcome their fears as they careen in and out of one another’s lives. In the gray area between black and white, victim and aggressor, during a 36 hour period, they will collide. New York magazine called it “thrilling and provocative!” while David Denby of The New Yorker stated “Easily the strongest American film since ‘Mystic River’.”

"Two Thumbs Way Up" - Ebert & Roeper
Story by: Paul Haggis
Directed by: Paul Haggis
Executive Producers: Andrew Reimer, Tom Nunan, Jan Korbelin, and Marina Grasic
Produced by: Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco, and Paul Haggis
Starring: Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, Brendan Fraser, Terrence Howard, Christ Bridges, Thandie Newton, Ryan Phillippe, Larenz Tate and Michael Pena
Study Guide

Crash Movie and Discussion Guide from the University of Kentucky (oriented to college students) at http://www.uky.edu/StudentAffairs/NewStudentPrograms/UK101/pdf/crashDiscussion.pdf

Crash Movie review and group activities from The United Methodist Church at http://archives.umc.org/interior.asp?mid=7997



The Diving Bell and the Butterfly
Miramax Films
Buena Vista Home Entertainment, Inc.
Dept. CS
Burbank, CA 91521
DVD/112 minutes

From Miramax Films, acclaimed director Julian Schnabel, and the screenwriter of the Pianist comes a remarkable and inspiring true story about the awesome power of imagination.

Experience the triumphant tale of renowned editor Jean-Dominique Bauby, a man whose love of life and soaring vision shaped his will to achieve a without boundaries. You’ll soon discover why David Denby of The New Yorker calls The Diving Bell and the Butterfly “nothing less than the rebirth of the cinema.”

Winner, Golden Globe Awards, Best Picture of the Year – Foreign Language Best Director, Julian Schnabel

Best Picture of the Year ~ Los Angeles Times – NPR Fresh Air – New York Magazine

“Stunning” – Newsweek

“Astonishing. A beautiful and inspiring movie.” – The New York Times

Evan Mayday’s “Good Death”
Teaching Health Professionals Collaborative Care
University of Michigan
DVD/29 minutes

In today’s highly technological health care system sometimes the trajectory of life-threatening illness shifts from a curative focus to that of providing comfort as the patient faces death. This shift is often the hardest process that health professionals face with patients and families.

The film “Evan Mayday’s Good Death” is a highly emotional, educational, life-affirming documentary of how one team and one family confronted these issues. They worked together to rise above their own concerns and fears to collectively grant a dying patient’s last request.

The film demonstrates how health professionals can work as a team, especially at the end of life.

The educational intervention includes the film and a follow-up discussion. A CD with guidelines for conducting and evaluating this educational intervention is included.

“There are few resources to illustrate the important need to improve care for those in acute care and critical care settings at the end of life. This film captures the essential patient, family, and staff needs. It is a great resource!”

Betty Ferrell PhD, FAAN
Research Scientist, City of Hope National Medical Center, California
Principal Investigator, End of Life Nursing Education consortium (ELNEC)

In Our Midst: Exploring the Long-Term Impact of Neonatal Intensive Care
Fanlight Productions
56 Minutes

Each year, the lives of thousands of premature newborns are saved by neonatal intensive care. The press and broadcast media celebrate these “miracle babies.” But what is life like for the children, who often leave the neonatal intensive care unit (NICU) with multiple medical problems and developmental challenges? What is life like for their families? Filmmaker Richard Kahn spent almost a year following one such family. Their four children (three natural; one adopted) are all “graduates” of the NICU, and they represent a range of outcomes, from unimpaired survival to serious physical and learning deficits. Capturing the family’s extraordinary mutual devotion as well as the burdens of an unending regimen of care, In Our Midst, provides a glimpse into the little explored impact of modern medical technology.
“When the staff of the NICU discharged our child, it was as though they were waving goodbye at the dock. We had to make the voyage on our own.” – Mother of a NICU graduate

Extensive study guide
Available at http://www.fanlight.com/downloads/In.Our.Midst.pdf




Life and Death: Medical Ethics of the Schiavo Case
The News Hours with Jim Lehrer 2005
27 minutes

Life and Death: Medical Ethics of the Schiavo Case
Many who followed the Terri Schiavo case struggled to make sense of the flurry of opinions it generated. This NewsHour program, recorded during the last days of Terri Schiavo’s life, presents two opposing yet thoroughly reasoned perspectives on the issues. Beth Israel Medical Center neurologist Dr. Russell Portenov explains the medical justification for removing the feeding tube, while Dr. Robert George, professor or jurisprudence at Princeton University and a member of the President’s Council on bioethics, raises legal and moral questions surrounding the decision, Keeping its focus on the Schiavo controversy, the program also explores implications for other potential end-of-life situations. (27 minutes) © 2005



Dr. Robert George, Jurisprudence & Bioethics, Princeton Univ. – President’s Council on Bioethics

Dr. Russell Portenov, Neurology & Palliative Care, Beth Israel Medical Center


Questions for discussion:

  1. What are the most significant points each “expert” makes. How does it reflect their professional practice or personal bias?

    What are some of the ramifications of each position on our society?

  2. Reflect on Dr. Portenov’s reply when asked what Ms. Schiavo will die from.

  3. What role should politics, law and ethics play in end-of-life decision making? How are they reflected in the video?

  4. Should financial concerns be part of end-of-life decision making?

  5. Are there any commonalities upon which a compromise could be built?

  6. Terri Schiavo’s plight is compared to Karen Ann Quinlan’s situation in the 1970’s. Is it a reasonable comparison? What might be considered significant variables?

  7. What responsibility do medical professionals have to evaluate and weigh new knowledge and technology against old paradigms of care?





 KING CORN ~ You are what you eat.
A Documentary by Mosaic Films Production
Film by Aaron Woolf, Curt Ellis and Ian Cheney

90 minutes

Engrossing and eye-opening, KING CORN is a fun and crusading journey into the digestive tract of our fast food nation. Fueled by curiosity and a dash of naiveté, college buddies Ian Cheney and Curt Ellis return to their ancestral home of Greene, Iowa, to find out how the modest corn kernel conquered America.

With the help of real farmers, powerful fertilizer, government aid, and genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hidden truths about America's modern food system.

"A graceful and frequently humorous film that captures the idiosyncrasies of its characters and never hectors" (Salon), KING CORN shows how – and why – whenever you eat a hamburger or drink a soda, you’re really consuming….corn.

"As relevant as SUPER SIZE ME and as important as AN INCONVENIENT TRUTH" ~ The Austin Chronicle

"LIVELY, ENGAGING and visually arresting." ~ The Washington Post

www.kingcorn.net  

 

 

 

Miss Evers' Boys Miss Evers' Boys
HBO Home Video
A division of Time Warner Entertainment Company, L.P.

DVD/118 minutes

Based on the shocking true story, Miss Evers’s Boys exposes a 40 year government backed medical research effort on humans which led to tragic consequences. It is 1932 when loyal, devoted Nurse Eunice Evers (Alfre Woodard) is invited to work with Dr. Brodus (Joe Morton) and Dr. Douglas (Craig Sheffer) on a federally funded program to treat syphilis patients in Alabama. Free treatment is offered to those who test positive for the disease, including Caleb Humphries (Laurence Fishburne) and Willie Johnson (Obba Babatunde). But when the government withdraws its funding, money is offered for what will become known as “The Tuskegee Experiment”; a study of the effects of syphilis on patients who don’t receive treatment. Now the men must be led to believe they are being cared for, when in fact they are being denied the medicine that could cure them. Miss Evers is faced with a terrible dilemma – to abandon the experiment and tell her patients or to remain silent and offer only comfort. It is a life or death decision that will dictate the course not only of her life, but the lives of all of MISS EVERS’ BOYS.

"Powerful" - USA Today

"Provocative" - Detroit Free Press

"A Revelation" - Variety Magazine
HBO NYC in association with Anasazi Productions, a Joseph Sargent Film
Starring: Alfre Woodard, Laurence Fishburne, Craig Sheffer, Joe Morton, Obba Babatunde with E.G. Marshal and Ossie Davis
Produced by: Kip Konwiser and Derek Kavanagh
Executive Producers: Laurence Fishburne and Robert Benedetti
Based on the play by: David Feldshuh
Directed by: Joseph Sargent
Study Guide Questions

  1. The film shows several instances of racism and segregation, not just in the location where the Study took place, but in American society at large. Where did you see flagrant examples of racism? Where would you say racism was operating in a more implicit or subtle way?
  2. How do you compare the role expectations of physicians, nurses, and patients as portrayed in the 1930s, vs. today?
  3. Dr. Brodus is portrayed as motivated by hopes that the Study data will show fundamental similarities between racial groups, rather than differences. How did his hope for possibly advancing racial equality influence the decisions he made in the later years of the study?
  4. Nurse Evers describes the experience of being “walked over a hill”—led on in the belief that the climb is almost over, when actually it goes on and on. How is this a metaphor for her experiences as part of the Tuskegee Study? Have you experienced situations where people were persuaded to make ethical compromises because they feel the situation is almost over, or about to get better? What happened?

out of the shadow: a cinematic study of schizophrenia
Color/67 minutes

Director Susan Smiley shares a very person glimpse of the life of her mother, Millie, who has schizophrenia. Filmed over a number of years, this documentary illustrates the "chaos of our mental health system, as well as that of [Millie’s] own mind."

Viewers have the opportunity to witness both the plight and the triumphs of one family’s struggle. The video unapologetically examines the years of abandonment and abuse suffered by Susan and her sister after their father divorced Millie, and each family member courageously adds their voice. Millie herself allows filming at her most vulnerable moments.

Discussion questions:

1. What constitutes a "normal person"?

2. How does mental illness affect a family?

3. What rights do/should family members have to intervene in the treatment of a mentally ill parent or sibling?

4. What societal issues contributed to Millie’s ongoing problems?

5. What made the difference for Millie’s eventual progress and independence?


The video comes with a guide for facilitators working with groups of mental health providers.





The Self-Made Man
DVD/Color/64 minutes
2005 New Day Films

"Is it ever rational to choose death?"

"On Independence Day at Stern Ranch in central California, 77-year-old solar-energy pioneer Bob Stern finds out he is seriously ill — possibly dying. Meanwhile, an elderly in-law is slowly declining on artificial life support in a hospital. Bob decides to cheat that fate and take his own life. His family tries to stop him. But first, Bob sets up a video camera. Daughter Susan tells the story of her father's quirky, inspiring life and the difficult end-of-life choices faced by an aging population. Part King Lear, part Western, "The Self-Made Man" is a true-life family drama about a controversial issue: Should we control how we die?"


Discussion Questions:

1. Examine Bob’s death in contrast to the death of his in-law.


2. What characteristics and circumstances contributed to Bob’s
contemplation of suicide?


3. What role does “choice” play?


4. Could his/ should his family have intervened?


5. Did spirituality play a role in end-of-life decision making?


6. Can suicide be a reasonable option? Was Bob’s?


7. Bob’s children and grandchildren all reacted differently to his death. Who could you best relate to, and why?


8. What is the significance of Independence Day?



Sex: Unknown
Color/60 minutes
NOVA, 2001

Circa 1950. Twin boys, Bruce and Brian were born to the Reimer Family. An accident during his circumcision destroyed Bruce’s genitalia. In search for some way to deal with this tragedy, Bruce’s parents found Dr. John Money, a researcher and psychologist who persuaded them that they could have Bruce surgically reconstructed as a girl, and with proper upbringing and hormone treatment, he would become a "successful girl".

Through Dr. Money, this case helped establish a standard of care for infants born with abnormal genitalia. But was this paradigm case really successful? Was it even applicable?


Ideas for discussion:

What is gender?

How is gender identity formed?

Does nature or nurture influence more?

Why is gender important?

How do gender issues play out in our society today?

What is a researcher’s responsibility to question his/her assumptions?

What is a practioner’s responsibility to question practice?

Should studies on children require a longitudinal component for follow up?



Additional Reading:

Eugenides, Jeffrey Middlesex: A Novel Picador, 2003




Sound and Fury
Color/80 minutes

The opening scenes of this film depict Heather Artinian, a five year old deaf child who is interested in having a cochlear implant. Her parents, Peter and Mari Artinian, run the gamut of being supportive to being uncomfortable or even frightened of the idea of the cochlear implant. Peter describes it at one point as "scary and invasive", and that "society is trying to create robots". He states that signing is a natural form of communication and his life began when he learned to sign. Heather’s mother Mari investigates the possibility of having a cochlear implant herself, when she finds out it probably won’t improve her communication because it is more effective for small children whose speech and communication centers are still developing. At this point she begins to discourage the idea of Heather having a cochlear implant.

At the same time Peter’s brother Christopher and his wife Nita, both hearing, give birth to twins, one of whom is deaf, the other hearing. They also investigate cochlear implants and come to the opposite conclusion, that their son Peter should have a cochlear implant and participate in the immersion school that focuses only on verbal communication.

In one very poignant scene Heather Artinian signs all the reasons she wants to have a cochlear implant. She wants to be able to hear the birds sing and the phone ring, hear people talk in New York and Florida. She is a very bright and articulate child and this seems to add to her grandparents quest to have her be able to hear and communicate in the hearing world.


Points for discussion

  1. What is a culture?

  2. What is an intrinsic vs. an extrinsic characteristic of a person?


  3. Reflect on forcing a child to do something vs. providing opportunities when you are talking about something like a cochlear implant?


  4. What constitutes abuse?


  5. What does it mean to "act like a hearing person"?


  6. What does justice require for these children? For the parents?

Additional reading:

Rosner, Jennifer Lullabies for Sophia Hastings Center Report, November/December 2004

Sacks, Oliver Seeing Voices: A Journey into the World of the Deaf Vintage Books, 2000 (copyright 1989, 1990)



Sound and Fury: Six Years Later
Aronson Film Associates, Inc., 2006
Color/29 minutes

“Sound and Fury: Six Years Later” is an engaging look at what has happened to the Artinians since their family saga captured audiences around the world in “Sound and Fury” in 2000. “Sound and Fury” ended with 6-year-old Heather being denied the cochlear implant she wanted to enable her to hear. With the family painfully divided over this, Heather’s parents moved their family away to a signing community to bring their kids up in the signing deaf world. In this stand-alone follow-up film we learn that Heather finally did get the implant at 9 years-old, as did her 2 younger brothers, her mother, her deaf aunt and her 2 deaf cousins. Now 12, Heather is the only deaf child in her Long Island school. She plays basketball and volleyball, stays near the top of her class and is popular with her hearing peers. Though she got the implant “late”, Heather’s speech is understandable and she delights in her communication skills. Heather still signs like a native and slides easily between the hearing world she is now a part of and the signing deaf world of her parents. Heather’s father, who was so resistant to the implant in “Sound and Fury,” says that through observation and education, he has learned how useful the implant can be for deaf children and how glad he is that his children have it. This resilient family is a remarkable testament to family devotion, tireless responsibility to children and enduring love.



Southern Comfort
A film by Kate Davis
Docurama Films
90 minutes (approx.)

“At the heart of SOUTHERN COMFORT is a beautiful and remarkable love story, more touching and captivating than anything fiction could ever create. With a masterful eye for emotional detail, award-winning filmmaker Kate Davis takes us to the back hills of Georgia and into the world of Robert Eads, a 52-year-old wise-cracking cowboy, warm and gregarious, who was born female and later transitioned into living as a man after bearing two sons. The film finds Robert fifteen years later, during the extraordinary last year of his life, as he falls headlong into a passionate romance with Lola, a vivacious and magnetic woman who was born male. One of the most remarkable documentaries of our time about gender, family, and love relationships, SOUTHERN COMFORT is an illuminating and deeply moving film – a world of contradictions where good old boys who drive pick-up trucks and shoot the breeze around the barbecue double as 21st century pioneers, courageously forging a new world for themselves, and for us.”

Suicide Missions: Human Guinea Pigs
A&E Television Network 2001/50 Minutes

A History Channel documentary program that showcases the people who have furthered medical, scientific and technological endeavors by volunteering to test the limits of knowledge. Segments span the decades to include early undersea exploration; the Nuremburg trials and the ethics of human experimentation; human testing and biological warfare in the 1950’s; atomic power and exposure to a-bomb blasts at Camp Nevada, US Army research involving "conscientious objectors" and more recent flight and altitude testing on humans.

What motivates people to risk their lives, and how do we justify that risk?


Discussion Questions:

  1. Who should be candidates for experimental investigation?

  2. At what point did consent begin to play a role in experimentation? Why?

  3. How does one evaluate and weigh potential harm? Acceptable risk?

  4. How can we balance individual risk with the greater good?

  5. What role does patriotism play in motivation? Responsibility? Altruism?

  6. What other motivating factors exist?



Taking Chance Taking Chance
HBO Home Video
A division of Time Warner Entertainment Company, L.P.

DVD/78 minutes

Taking Chance is a remarkable true story of one soldier’s death in battle, another soldier’s journey of discovery and a nation’s reverence and gratitude toward its war dead. After hearing of the heroic death of a young Marine in Iraq, veteran officer Lt. Colonel Michael Strobl (Kevin Bacon) volunteers to escort the remains of Lance Corporal Chance Phelps back to his hometown in Wyoming. Now, on a trip across America’s heartland, Strobl will find himself on an unexpectedly emotional sojourn into the soul of a country mourning not only Phelps, but all of our country’s fallen heroes. Taking Chance was the official selection of the 2009 Sundance Film Festival.
HBO Films presents a Civil Dawn Pictures and Motion Picture Corporation of America Production
Starring: Kevin Bacon
Study Guide Questions

  1. What prompts Lt. Col. Strobl to volunteer to accompany PFC Chance Phelps body back to his hometown for burial? Why is he struggling?
  2. Symbolism plays an important part in the movie. What are some of the various themes and symbols? What are their significance? What role does ceremony play?
  3. The US public has not always responded well to returning soldiers, alive or dead. What were some of the dynamics of other wars that contributed to these responses? How does it impact our laws and actions today?

Thin: If it takes dying to get there, so be it
Home Box Office, Inc., 2006
102 Minutes

The HBO documentary film Thin takes us inside the walls of Renfrew Center, a residential facility for the treatment of women with eating disorders, closely following four young women (ages 15-30) who have spent much of their lives starving themselves – often to the verge of death. The film deftly chronicles the pervasiveness of disordered eating behaviors, as well as the failure of our current health-insurance industry to address its clients’ needs, while never shifting focus from the women themselves. Director Lauren Greenfield documents with astonishing depth the daily rituals, spontaneous friendships and startling swings between recovery and relapse that make up life at the center. The result is a powerful new insight into one of our society’s most insidious open secrets.


Questions for discussion:

  1. Compare and contrast each main character. What makes them similar? What makes them dynamically different?

  2. How would you characterize each woman’s motivation to “get better”?

  3. Reflect on the concept of “trust”. How does it play out among the clients? How does it play out between the clients and the staff?

  4. What part do family dynamics play in each woman’s situation? Parent/Child? Twin sisters?

  5. What do you think of the group therapy sessions? The individual sessions with staff?





Who Plays God? Medicine, Money, and Ethics in American Health Care
Produced by WETA-TV, Washington DC
120 Minutes

This program, Who Plays God? Medicine, Money, and Ethics in America Health Care, explores a variety of life-and-death situations to illustrate the spectrum of highly controversial ethical decisions made on a daily basis in modern American medicine. Hosted by ABC News medical correspondent George Strait, and featuring noted authorities such as health-care economist Uwe Reinhardt, the program takes an in-depth look at the decisions that underlie the use of health-care dollars. When is life support provided and stopped? Who gets the transplants, the best technology and treatments? Who lives longer and who does not? The program features five segments that portray choices concerning prolonged life support, the painful struggle of extremely premature babies, the allocation of organ transplants, the crises that accompany the inaccessibility of health insurance, and the often thwarted desire to die with dignity.


Questions for discussion:

  1. What exactly do we mean by "playing God?"  What does such a title suggest about our notion of God
  2. Jim Steen, the man who died waiting for a new lung, said that he could not ask his family to decide whether he was “worth” all of the time and massive medical expenses in order to prolong his life. Who has the right to decide which patients will get life-saving treatments? Should committees and society at large be responsible for deciding, for example, who will be placed on the organ transplant list, or is it a family/personal decision?

  3. In the West, the struggle to be healthy in the midst of illness is often seen as the “battle between good and evil.” Death is typically seen as defeat or failure. Is our Western philosophy of “good vs. evil” helpful? Harmful? Would a change in philosophy/mindset affect our approach to medicine/healthcare?

  4. In general, do doctors in America structure a patient’s potential treatment plan with resources (such as limited money) in mind? Should Uwe Reinhart have been more upset with his father’s physician in Germany for not offering him aggressive treatments?

  5. Why is it that we spend so much money at the end of life and so little for preventative care earlier in life? Have we become “trapped by technology?”

  6. Christopher’s mother must decide whether or not to take her newborn baby off of life support. She states: “No one ever wants to make that decision, particularly about their own child, more so an infant who is only six days old.” Is every parent/newborn entitled to such drastic treatment when the prognosis is so futile? Does it make a difference that Christopher’s mother is on Medicaid?





Worlds Apart: A Four-Part Series on Cross-Cultural Healthcare
By Maren Grainger-Monsen, MD, and Julia Haslett, Stanford University Center for Biomedical Ethics
Produced by Fanlight Productions, 2003
Mohammad Kochi's Story - 14 min
Justine Chitsena's Story - 11 min
Robert Phillips' Story - 10 min
Alicia Mercado's Story - 13 min

Worlds Apart tells the stories of four individuals and their families: Mohammad Kochi, Justine Chitsena, Robert Phillips, and Alicia Mercado. Mr. Kochi is a 63-year-old man from Afghanistan who is diagnosed with stomach cancer. He agrees to have surgery, but later refuses his oncologist’s recommendation for chemotherapy due to religious beliefs, language barriers, and family conflict. Justine Chitsena, a 4-year-old from Laos, has an atrial septal defect (a hole in the muscle wall of her heart) which her doctors’ feel should be repaired by surgery. Her mother is considering the operation but her grandmother is opposed. They are part of an ethnic minority in Southeast Asia called the Khmu, and have strong cultural beliefs and traditional healing practices as well as mistrust of Western medicine that give rise to this conflict. Robert Phillips is an African American man in his mid-thirties who has been on hemodialysis for end-stage renal disease and is hoping for a renal transplant, which will greatly improve his life. He speaks very eloquently and candidly about his experiences with medicine as a bureaucracy and about the racial disparities that he has witnessed and experienced. Alicia Mercado is a 60-year-old Puerto Rican woman living in New York’s “Hell’s Kitchen” neighborhood, who has struggled with diabetes, hypertension, and asthma for years. The many social problems she faces as a Spanish-speaking woman living alone, and he fears about reliance on medication, put her chronic illness management into a different perspective. Filmed in patients’ homes, neighborhoods, and places of worship, as well as in hospital wards and community clinics, these unique trigger films follow patients and families from a variety of backgrounds as they face critical medical decisions. The Worlds Apart series offers an invaluable tool for raising awareness about sociocultural barriers to patient-provider communication, and the way they affect the healthcare of culturally and ethnically diverse patients.
 
Facilitator’s Guide by Drs. Alexander Green, Joseph Betancourt, and Emilio Carrillo is available providing patient background information, suggestions and information for the facilitator plus questions to use in small group settings.